International ISMN Agency

The International Standard Music Number for Notated Music.
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ISMN AGM 2012

created by: Carolin Unger, on: 08.02.2012 Kommentare (0)

The 20th Panel Meeting and 6th Annual General Meeting of the International ISMN Agency will take place on Wednesday, 12 September 2012, in Chisinau, Moldova, by kind invitation of the National Book Chamber of Moldova.

The International ISMN Agency just published a brochure explaining the benefits and options of applications the International Standard Music number offers music publishers, music trade, rights organizations and libraries:

ISMN. International Standard Music Number.

Berlin 2012, 48 pages. ISBN 978-92-990051-4-9.

Contents:

- ISMN: ismn story, ismn benefits, ismn applications, ismn beneficiaries
- Music publisher: tracking, communication, interoperability, automation
- Music trade: tracking, data management, ordering and sales, information exchange
- Rights organization: metadata, tracking, copyright, royalty payments
- Library: legal deposits, acquisition, library catalogues
- Standards: understanding, administration, ismn and isbn

A copy can be downloaded here

Source: Music Publishers Association (MPA)
The British government plans to improve UK's copyright laws. For this purpose Professor Ian Hargreaves earlier this year had given recommendations which also covered topics important to music publishers. Following his report, the government now launched its 'consultation on copyright' which will run until 21 March 2012. The article posted on 14 December 2011 and more information may be viewed here.
 

Source: Book Industry Study Group (BISG) 
BISG has published a policy statement that details best practices for assigning ISBNs to digital products. It aims to prevent product identification confusion. The article posted on 7 December 2011 may be viewed here.
 

Source: International Conferderation of Music Publishers (ICMP) 
The Global Repertoire Database Working Group, has now launched its Stakeholder Engagement and Scoping Study. The Study will involve a 20-week industry-wide consultation to determine the technical, data, business process and organisational design aspects of the Global Repertoire Database, as well as the approach to governance and funding. The article posted on 27 September 2011 may be viewed here.

Source: World Intellectual Property Organization (WIPO) 
As WIPO Director General Francis Gurry resumed the international intellectual property (IP) community faces three major challenges in the coming years – management of demand of IP applications, the migration of all cultural content to the Internet, and enhancing the capacity of least developed and developing countries to use the IP system for encouraging innovation and creativity. The article posted on 26 September 2011 may be viewed here.

ISMN took part in a Regional Seminar for African ISBN agencies on 14 September 2011 in Pretoria with a presentation of the International Standard Music Number

On the occasion of the ISMN Annual General Meeting on 13 September 2011 in Pretoria South Africa became new member of the ISMN community. The ISMN agency will be oprated by the National Library in Pretoria. The photo shows John Tsebe, National Librarian of South Africa, and Hartmut Walravens signing the contract.

Source: Supply Chain Digest 
During the last months the Supply Chain Digest published several articles on the pros and cons and the future of RFID technology. Some of them may be viewed here: 6July201127July201110August 20118September2011.

Source: International Confederation of Societies of Authors and Composers (CISAC) 
At the third World Copyright Summit, organised by CISAC (the International Confederation of Societies of Authors and Composers) on June 7 and 8 in Brussels, over 730 participants brought representatives from all creative repertoires together to discuss the future of the creative industry. They found to "share a common goal in supporting the rights of creators. Participants also agreed on the necessity to jointly find workable solutions for the challenges of the current digital marketplace. These include: initiatives for a Global Repertoire Database (GRD) and cross-border licensing for musical works; proposals to uphold the value of book content through a specific pricing model of eBooks, or the use of DRMs and the launch of legal platforms by book publishers; the harmonisation of the resale right for visual artists in Europe and hopefully worldwide; the need to harmonise audiovisual copyright laws across Europe to support digital distribution of films and ensure that authors get remunerated every time their works get used." The article posted on 11 August 2011 may be viewed here.